Showing posts with label Greek poetry. Show all posts
Showing posts with label Greek poetry. Show all posts

February 4, 2019

SONG FOR THE QUIET DEATH

Yannis Ritsos
SONG FOR THE QUIET DEATH

(Simply and indeterminately)

Death stands beneath the streetlamp,
he rolls a cigarette and smokes,
the smoke comes from his mouth.
We watched him smoking
and he had spittle in his mouth
and a tongue in his mouth,
and he had fingers.
He rolled his cigarette quietly.
He watched nothing. He smoked.

Quiet death, beneath the streetlamp –
his clothes were made of glass,
his body and his breath were glass,
his desolation was of glass.
And behind that glass could be seen
as through a window-pane
the pick and shovel,
our kitchen’s hearth,
even our broom.

Behind the window-pane, the gamekeeper walked down.
Shouting women washed laundry in the river.
No voice could be heard.
The verger picked up his straw pallet,
carried it to the other room,
and locked the door. And you could see
the pallet and the verger;
his body’s vapour as he lay upon the pallet
fashioned another body in the air.

And behind the locked cupboard could be seen
the shotgun and the shirt,
patched at the elbow –
a white shirt, white, whiter even than white
like Sunday at a mirador,
like moonlit marble.
Death wore a white shirt,
white as mute daybreak
after a crime.

As for death, he was a white shirt;
no bloodstain darkened it –
an empty shirt, spread on the line,
dried by yesterday's heat,
gleaming in moonlight, stiff as bone,
like a laid table white upon the terrace.
No one sat down to eat. A white night.
And the table stood there, laden, unwavering
as a lake in the night.

A knife walked upright through the night
along the table’s edge
like a sleepwalker on a roof;
- it did not fall; it was not sorrow.
An empty balance, poised in vacuum, weighed itself,
weighed emptiness though without weights;
silence weighed both pans equally
like the two shoulders of the shadow wandering
inside the shuttered shop.

It was so quiet behind death,
behind his window-panes -
a quiet sea at sunset.
Then three men came in with their caps,
with their big feet,
with beetled brows.
They broke bread on their knee.
They did not cross themselves.
They sat and ate.

Γιάννης Ρίτσος, «Τραγούδι για τον ήσυχο θάνατο», από τη Γενική Δοκιμή
Μετάφραση Γιάννης Σταθάτος

August 19, 2013

A VERSION OF CAVAFY


FROM THE SCHOOL OF THE RENOWNED PHILOSOPHER

He studied for two years at the feet of Derrida,
but grew equally bored of Jacques and his philosophy.

Next he wormed his way into politics -
and just as quickly out again. The Minister   
was an old fool, his entourage
pompous stuffed shirts. Screw them.

Intrigued a bit by the cachet of Buddhism,
he thought of giving it all up to meditate
under a tree in India. Upon consideration,
though, he dropped that like a hot potato;
his Baptist parents would freak out.
Why, they might go so far as to curtail
his more than generous allowance!

Yet he had to do something with his life,
though all he really knew was how to party:
male modelling seemed the self-evident solution.

Fate and genetics had endowed him with
too-perfect muscles and a boyish grin.
So he made hay whilst the sun shone.

His looks were good, he figured,
for ten or fifteen years more. Then –
well, he might after all return to Derrida.
Should in the meantime the old bore have passed away,
he’d find himself another sophist or philosopher.
Somebody suitable never fails to turn up.

And in the end, why not go back again to politics –
gravely and dutifully remembering
his family tradition, patriotism, noblésse oblige,
and other such high-minded platitudes.

Constantine Cavafy
(tr. John Stathatos)